Pictures courtesy of the ever-brilliant http://seinfeld.wikia.com/wiki/WikiSein |
Of all the very many brilliant TV comedies we've had over the years, Seinfeld remains my absolute favourite. It is, to me, the funniest thing that's ever been shown on the ol' boob tube. The history of my favourite comedy shows begins - in terms of things we could realistically discuss - with M*A*S*H and Taxi, proceeds to The Flintstones (I had VHS cassette collections of home-taped M*A*S*H and Flintstones that took up an entire wall in our old living room), hits Seinfeld and much later Futurama and Curb Your Enthusiasm. But when I sit down to watch re-runs of all these, it's always Seinfeld that produces the most belly laughs. Genuine, uncontrollable, loud-and-proud laughs.
So it was last night with two absolute classics from series 3: The Limo, wherein Jerry and George are mistaken for white supremacists (Cut back to the limo, George is reading, quietly horrified, from O'Brien's speech. George: ...and the Jews steal our money through their Zionist-occupied government and use the black man to bring drugs into our oppressed white minority communities. Jerry: You're not going to open with that, are you?); and The Keys, wherein Jerry tires of Kramer's abuse of being Jerry's official spare-key holder and demands them back, thus triggering a chain of woes as George, Kramer, Elaine and Jerry all squabble over who has who's spares.
I'd like to now present, courtesy of that online treasure
trove, seinfeldscripts.com, my favourite scene from The Keys. A little set-up for you: Kramer, quietly
disgruntled about having his key-holder privileges revoked, gets his spares
back from Jerry and then meets with George at their favourite haunt, Monk's
Café, to give George his spares. Of course, for Kramer it's not just a simple
matter of who has who's keys...
The coffee shop. Kramer plunks his giant keyring on the table
in front of George.
GEORGE: Gee, Kramer, I uh... I don't know what to say.
KRAMER: Say yes! Yes, George. Yes!
GEORGE: Should I give you my keys, is that the transaction,trading
keys...? Because Elaine has my keys.
KRAMER: Well, you can get 'em back.
GEORGE: I suppose I could.
KRAMER: Because you see, George, having the keys to Jerry's
apartment? That kept me in a fantasy world. Every time I went over to his
house, it was like I was on vacation. Better food, better view, better TV. And
cleaner? Oh - much cleaner. That became my reality. I ignored the squalor in my
own life because I'm looking at life, you see, through Jerry's eyes. I was
living in twilight, George. Living in the shadows. Living in the
darkness...like you.
GEORGE: Me?
KRAMER: Oh, yeah. I can barely see you, George.
GEORGE: Alright, stop it Kramer, you're freakin' me out.
<The
waitress comes over>
WAITRESS: Hi, are you ready to order?
<George tries to
order,
but Kramer waves her away>
but Kramer waves her away>
KRAMER: (moves over and sits next to George):
Do you ever yearn?
Do you ever yearn?
GEORGE: Yearn? Do I yearn?
KRAMER: I yearn.
GEORGE: You yearn.
KRAMER: Oh, yes. Yes, I yearn. Often, I...I sit...and yearn. Have you
yearned?
GEORGE: Well, not recently. I craved. I crave
all the time, constant
craving...but I
haven't yearned.
haven't yearned.
KRAMER: (in disgust): Look at you.
GEORGE: Aw, Kramer, don't start...
KRAMER: (moving back to the other side of the
booth) You're wasting your life.
booth) You're wasting your life.
GEORGE: I am not! What you call wasting, I call living! I'm living my
life!
KRAMER: OK, like what? No, tell me! Do you
have a job?
GEORGE: No.
KRAMER: You got money?
GEORGE: No.
KRAMER: Do you have a woman?
GEORGE: No.
KRAMER: Do you have any prospects?
GEORGE: No.
KRAMER: You got anything on the horizon?
GEORGE: Uh...no.
KRAMER: Do you have any action at all?
GEORGE: No.
KRAMER: Do you have any conceivable reason for
even getting up in the morning?
even getting up in the morning?
GEORGE: I like to get the Daily News...
KRAMER: George, it's time for us to grow up -
and be men. Not little boys.
and be men. Not little boys.
GEORGE: Why?
KRAMER: I'm goin' to California. You know,
I got the bug.
I got the bug.
GEORGE: Yeah, I think I got a touch of
something, too.
something, too.
KRAMER: No, the acting bug. Ever since I was
in that Woody Allen movie.
in that Woody Allen movie.
GEORGE: "These pretzels are making me
thirsty"? That was one line!
You got fired!
thirsty"? That was one line!
You got fired!
KRAMER: I know, I know, but man! I never felt
so alive! Now, are you coming with me?
so alive! Now, are you coming with me?
GEORGE: Uh, no, I'm not.
KRAMER: Alright, suit yourself. But let's keep
this between us - we're key brothers
now.
this between us - we're key brothers
now.
<Gets up to leave.>
GEORGE: You're not really gonna go to
California, are you?
California, are you?
KRAMER: (points to his head): Up here, I'm
already gone.
already gone.
<Kramer exits>
It's a masterclass in comic timing by Jason Alexander and Michael Richards, as well as in good writing (script credit for the episode goes to Larry Charles). Kramer's badgering of George and George's subsequent crumbling during their rapid-fire exchange on the same side of the booth; Jason Alexander making the hoary old 'bug' gag work with the blithe pathos that is George's stock in trade; the comfortable familiarity of the characters with each other (it's entirely Kramer to have a spiritual revelation about something as mundane as holding a friend's spare keys, then trying to 'save' a friend, as well as this being a fun way of explaining his insane neighbouring behaviour throughout the entire show); Jason's throw-away of the 'Stop it, you're freaking me out' line, accompanied by a bit of nervous glasses-cleaning; the punching of 'crave' and 'yearn' (classic Seinfeld humour); George's petulant reaction to the idea of growing up; the moment of mutual recognition at Jerry's impeccable cleanliness... it's all sooo, sooo good.
Of course, you can watch the whole scene on YouTube - the clip I found is only 240p and ran a little out of synch when I checked it just now (although that's most likely my problem). Do yourself a favour and check it out right now!